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Ji Yun (;According to the Wang Li Character Dictionary of Ancient Chinese the character 紀 is given the Middle Chinese fanqie pronunciation 居里切, resulting in an expected Mandarin reading of jǐ. However, the character, when used to mean 'records; annals' has been read as jì (Mandarin Tone 4) since the 20th century, with jǐ (Mandarin Tone 3) given as an obsolete literary reading. As a surname, the old reading Jǐ continues to be used. 1724–1805), also known as Ji Xiaolan () or Ji Chunfan () was a Chinese philosopher, politician, and writer. He was an influential scholar of Qing dynasty China and many anecdotes have been recorded about him. Ji Yun left behind a book entitled Notes of the Thatched Abode of Close Observations (閱微草堂筆記) and another book named Wenda Gong Yiji (紀文達公遺集; "Collected Works of Lord Wenda", i.e. Ji Xiaolan), which was edited by later generations. He was often mentioned with Yuan Mei as the "Nan Yuan Bei Ji" ().
Ji Yun's career was not, however, smooth sailing. In 1768, he became an accessory in a bribery case after he tipped off a brother-in-law about the severity of charges pending against him, for which crime he was banished to Dihua in Ili (predecessor of Xinjiang Province).
On his return from Xinjiang, Ji was received by the Qianlong Emperor in 1771 when the ruler happened to be returning from Chengde to Beijing, and he was ordered to write a poem on the return of the Torghut from the banks of the Volga. Ji's rendition of the inspiring tale of the return of the exiled Mongols, later celebrated in English by poet Thomas de Quincey (1785–1859) in his epic Revolt of the Tartars, delighted the emperor, for whom he became an unofficial poet laureate. The job of compiling the Siku Quanshu was his dubious reward.
One year later, Ji Yun was pardoned from his sentence, and, on his return journey in 1771, he wrote a travel account distilled into 160 poems titled Xinjiang zalu (新疆杂录; Assorted verses on Xinjiang). This remains one of the most useful sources in Chinese on life in Xinjiang Province in the late-eighteenth century.
In the first year of the Jiaqing Emperor's reign, he was appointed as the secretary of defense. Despite his bad habits, Ji Yun died in his sleep in 1805, aged 81.
During his later years, Ji Yun became one of the three great writers of strange tales in Qing dynasty China (the other two were Pu Songling and Yuan Mei). His tales included "true" weird tales, investigations of paranormal phenomena, as well as horror stories, parables, accounts of strange natural phenomena, and satirical portraits of prominent Neo-Confucian scholars and government officials.
Between 1789 and 1798, Ji Yun published five collections of supernatural tales, and in 1800 the five volumes were produced under the collective title Yuewei Caotang Biji (閱微草堂筆記 or Jottings from the grass hut for examining minutiae).
In addition, Ji Yun was also well known for the magnum opus of Qing editorial achievement, Siku quanshu (The Complete Library in Four Branches); he edited this massive work together with Lu Xixiong, in compliance with an imperial edict issued by the Qianlong Emperor.
Ji Yun lived in the mansion for thirty years and several features of the dwelling that the visitor can still see today are associated with him. A tree in the garden is said to be more than two hundred years old. Few original items from the time of Ji Yun remain in the house but the caretaker claims that the desk and mirror in the main study are original items. The glass mirror in the zitan timber frame is one of the earliest mirrors produced with lead paint in China.
After Ji Xiaolan's death, his descendants rented half of the mansion complex out to Huang Antao (1777–1847), a jinshi scholar, Hanlin scholar and poet, like Ji Yun. Huang was a renowned calligrapher; several of his calligraphic pieces are in the collection of the Palace Museum.
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